One of the best rivers ever Tuesday past! Never-satisfied, River Writers proudly provides a thought-provoking piece from the poet Christopher Shipman; this diagnosis speaks more to the larger context of reading series in general, not specific, and the trouble contemporary poets experience independently traveling the nation to publicize and sell their work:
A Poet’s Diagnosis
A friend mentioned the other day that poets seem to
undervalue themselves because they will often read for free. This friend is a
great poet himself, but fails to see the source of the problem. Perhaps some
poets really do undervalue themselves and their art, and maybe this is the real
reason why they don’t expect compensation for their talents. But why do
something you don’t appreciate yourself?
The real issue here is that the majority of the American
public undervalues poets, which is of course the biggest problem, but what’s
more is that poets undervalue other poets, forcing those who really love
writing and reading poetry to be more pragmatic about what kind of compensation
they can expect from venues and their guests.
There are 3 major indicators that reveal the nature of this
problem:
1.) Sometimes poets drive or fly hundreds and hundreds of
miles for readings in cities that are known for having good literary scenes and
good MFA programs to find maybe 3 people in attendance. Sometimes the room may be packed with twenty
to thirty listeners; then poets will sell maybe two books. And there is always
at least one person in the crowd that approaches the poet after the reading to say
how much they loved the work...But instead of buying a book, for maybe 15 bucks
at the most, the congratulator finds his way to the bar and never considers he
could have bought the book while buying his third beer for 6 bucks. In other
words, instead of saying it, buy the shit you like.
2.) Oftentimes the poet who has driven the hundreds of miles
and has maybe sold two books and has said thank you to the congratulator,
becomes that very congratulator at another reading. Why does this happen? I know a lot of poets, some are good poets and
most are good people, who don’t go to readings and don’t buy books. Why not? What
new poetry are they supporting? Or valuing? Many poets go to their own readings
and apparently don’t care about what other people are writing. This is a way to
build a community that is valued by other communities or in the very least its
members. If I like what is being read to me, and I am not on the verge of
starving, I will purchase the book the poet has so lovingly brought along, and
at some point in the near future I will actually read the damn thing. In other
words, contemporary poets aren’t buying
and reading enough poetry.
3.) An interesting and perhaps more detrimental indicator of
this problem is that poets today have such narrow tastes and styles that they
seemingly don’t acknowledge poetry that doesn’t fit into the confines of their
own niche. This makes poetry stagnant.
What I really want to say is that I love poems. I
fucking love the poems, and the possibly
of publishing and interacting with poets. I can live with the whole world not loving poems so long as poets
themselves love them. Support them, read them, hear them, throw them in the
river, bury them, and stuff them in your breath. Let’s value each other so
others will value us. But if you don’t love poetry, maybe you should just stop
fucking pretending.
